| CAL-01eb | A history of contemporary stage combat : 1969 – today |
| CAL-02eb | A Practical handbook for the actor |
| CAL-03eb | Acting queer : gender dissidence and the subversion of realism |
| CAL-04eb | Actor training |
| CAL-05eb | Acts of dramaturgy : the Shakespeare trilogy |
| CAL-06eb | An actor prepares |
| CAL-07eb | An ethico-phenomenology of digital art practices |
| CAL-08eb | Applied theatre : Women and the criminal justice system |
| CAL-09eb | Arabic shadow theatre, 1300-1900 : a handbook |
| CAL-10eb | Art and dance in dialogue : body, space, object |
| CAL-11eb | Artistic research in performance through collaboration |
| CAL-12eb | Arts-based research, resilience and well-being across the lifespan |
| CAL-13eb | Brecht and the writer’s workshop : Fatzer and other dramatic projects |
| CAL-14eb | Broadway musicals, show by show |
| CAL-15eb | Buhol-buhol/entanglement : contemporary theatre in Metropolitan Manila |
| CAL-16eb | Building a character |
| CAL-17eb | Contemporary African dance theatre : phenomenology, whiteness, and the gaze |
| CAL-18eb | Creating verbatim theatre from oral histories |
| CAL-19eb | Digital theatre : the making and meaning of live mediated performance, US & UK 1990-2020 |
| CAL-20eb | Drag histories, herstories and hairstories : drag in a changing scene. Volume 2 |
| CAL-21eb | Essential Guide to Stage Management, Lighting and Sound |
| CAL-22eb | Experiential and performative anthropology in the classroom : engaging the legacy of Edith and Victor Turner |
| CAL-23eb | Intermedial performance and politics in the public sphere |
| CAL-24eb | Islam in performance : contemporary plays from South Asia |
| CAL-25eb | Languages of trauma : history, memory, and media |
| CAL-26eb | Make your voice heard : an actor’s guide to increased dramatic range through vocal training |
| CAL-27eb | Management and the arts |
| CAL-28eb | Mapping global theatre histories |
| CAL-29eb | Mapping intermediality in performance |
| CAL-30eb | Migration and stereotypes in performance and culture |
| CAL-31eb | Performance in a time of terror : five Sinhala plays from Sri Lanka |
| CAL-32eb | Performance, medicine and the human |
| CAL-33eb | Performance, subjectivity, cosmopolitanism |
| CAL-34eb | Performances of authorial presence and absence : the Author dies hard |
| CAL-35eb | Performances of suffering in Latin American migration : heroes, martyrs and saints |
| CAL-36eb | Performing ruins |
| CAL-37eb | Performing the Testimonial : Rethinking Verbatim Dramaturgies |
| CAL-38eb | Performing the unstageable : success, imagination, failure |
| CAL-39eb | Performing welfare : applied theatre, unemployment, and economies of participation |
| CAL-40eb | Prismatic performances : queer South Africa and the fragmentation of the rainbow nation |
| CAL-41eb | Prison theatre and the global crisis of incarceration |
| CAL-42eb | Privileged spectatorship : theatrical interventions in White supremacy |
| CAL-43eb | Queering drag : redefining the discourse of gender-bending |
| CAL-44eb | Questors, jesters and renegades : the story of Britain’s amateur theatre |
| CAL-45eb | Rabindranath Tagore’s drama in the perspective of Indian Theatre |
| CAL-46eb | Restaging feminisms |
| CAL-47eb | Robert Lepage’s original stage productions : making theatre global |
| CAL-48eb | Shakespeare in the theatre : Yukio Ninagawa |
| CAL-49eb | Site, Dance and Body : Movement, Materials and Corporeal Engagement |
| CAL-50eb | Somatic voices in performance research and beyond |
| CAL-51eb | Speak with Distinction : The Classic Skinner Method to Speech on the Stage |
| CAL-52eb | Stage management theory as a guide to practice : cultivating a creative approach |
| CAL-53eb | Staging cultural encounters : Algerian actors tour the United States |
| CAL-54eb | Staging indigeneity : salvage tourism and the performance of Native American history |
| CAL-55eb | Staging Postcommunism : Alternative Theatre in Eastern and Central Europe After 1989 |
| CAL-56eb | Staging violence : gender and social control in Jácaras and Entremeses |
| CAL-57eb | The applied theatre artist : responsivity and expertise in practice |
| CAL-58eb | The applied theatre reader |
| CAL-59eb | The Art of Active Dramaturgy : Transforming Critical Thought Into Dramatic Action |
| CAL-60eb | The curious incident of the dog in the night-time |
| CAL-61eb | The interdisciplinary theatre of Ping Chong : exploring curiosity and otherness on stage |
| CAL-62eb | The kinetics of the invisible : acting processes in Peter Brook’s theatre |
| CAL-63eb | The Palgrave handbook of the history of women on stage |
| CAL-64eb | The problems of viewing performance : epistemology and other minds |
| CAL-65eb | The process of dramaturgy : a handbook |
| CAL-66eb | The Routledge Circus Studies reader |
| CAL-67eb | The stage manager’s toolkit : templates and communication techniques to guide your theatre production from first meeting to final performance |
| CAL-68eb | Theatre histories : an introduction |
| CAL-69eb | Theatre history studies. Volume 38 |
| CAL-70eb | Theatre institutions in crisis : European perspectives |
| CAL-71eb | Theatre pedagogy in the era of climate crisis |
| CAL-72eb | Theatre Studies: The Basics |
| CAL-73eb | Traumatic imprints : performance, art, literature and theoretical practice |
| CAL-74eb | World political theatre and performance : theories, histories, practices |
